Thursday 30 August 2012

I cook with wine, sometimes I even add it to the food.


In my year in France I had the change to enrol as a student for several months at a French cooking school. Of course being the only non-French pupil there it was very unnerving whenever the French head chef, seemingly forgetting that I was not French and had not been experiencing cooking school for the past 5 years, yelled at me to quickly make some caramel to glaze the chocolate éclairs. Lucky for me, I made some great friends who not only taught me how to make caramel and likewise delights, but will remain in my heart for the rest of my life.

One of the very nicest things about life is the way we must regularly stop whatever it is we are doing and devote our attention to eating. ~Luciano Pavarotti and William Wright, Pavarotti, My Own Story

When baking, follow directions. When cooking, go by your own taste. ~Laiko Bahrs

“Cookery is not chemistry. It is an art. It requires instinct and taste rather than exact measurements.”
- Marcel Boulestin

“One cannot think well, love well, sleep well, if one has not dined well.” - Virginia Woolf



















Differentiating the two...


  • In school, you do homework. At university, you study. 
  • In school, you wear your backpack on one shoulder; university, on both. 
  • At university , the professors can tell you the answer without looking at the teacher's guide. 
  • In school, you're told what classes to take. At university , you get to choose; that is, as long as the classes don't conflict and you have the prerequisites and the classes aren't closed and you've paid your tuition. 
  • In school, if you mess up you can usually sweet-talk your way out of it. At university, you're lucky to ever talk with the professor. 
  • In school, when the teacher said, "Good morning," you mumbled back. At university , when the professor says, "Good morning," you write it down. 
  • At university , weekends start on Thursday. 
  • In school, you can't go out to lunch because it's not allowed. At university, you can't go out to lunch because you can't afford it. 


Tuesday 28 August 2012

JOUR1111 Lecture 6 - Commercial Media.

It is without a doubt that commercial media is controversial. Much of the rejection surrounding the idea of commercial media stems from a long history of the belief in the amorality of capitalism, that is; the exploitation of the free market for profit. Are we, as consumers simply fuelling the power of advertisers through our want of materialistic objects? And are we, as a society so focused on the the increase in our revenue that we willingly exploit the vulnerabilities of consumers?



Of course in order to fully understand the concept of commercial media we must first answer a few basic questions.

Why does commercial media exist?
Put simply it is about business, that is advertisers business. Advertisers are the real customers of a commercial media organisation, not its readers, views or listeners. Creating revenue and profit increase is what fuels advertising and therefore what sustains commercial media.

What is commercial media?
Essentially commercial media is profit driven media production that is non-government funded, making it therefore necessary to rely on other means of funding. Commercial media either thrives or fails based on business success which survives by generating an audience and through selling advertising to them.

Who are the major players?
Considering this, one must recognise the many different ways in which these media companies produce media. Different forms of media include:
  • Cable TV
  • Free to air TV
  • Websites
  • Newspapers
  • Magazines
  • Documentaries etc.
  • Books
  • Sports
  • Films
  • Radio

As can be seen below using Seven West Media as an example, different media companies, in order to maximise profits, produce in many different mediums including  TV, magazines, websites and newspapers.




What is the form and function of commercial media?





















Does commercial media have a role in democratic society?
One of the most important questions that stems from this is can commercial media deliver on both commercial (profit) and social ('public trust') functions? Or is it really just about the mighty dollar?

The Hutchins commission of 1947 which is still 'held up', so to speak, today, talks about the social responsibility of media in a democracy.

The Hutchins Commission set forth a code of social responsibility for the press, requiring these five basic services:
  1. A truthful, comprehensive, and intelligent account of the day’s events in a context which gives them meaning;
  2. A forum for the exchange of comment and criticism;
  3. The projection of a representative picture of the constituent groups in the society;
  4. The presentation and clarification of the goals and values of the society;
  5. Full access to the day’s intelligence.
To maintain control of the media the Australian Communications and Media Authority (ACMA) and the Australian Press Council (APC) hold certain powers to regulate the media however where ACMA is statutory, the APC is voluntary. The media must comply with
  • Formal state requirements
  • Legal Prescription
  • State Oversight. 
Often the question is raised of whether or not the media can deliver to both its commercial functions as well as its social functions. In order to guarantee commercial-social functions with the commercial aspect revolving around the advertising of sales and the social aspect being editorial there exists an 'ethical wall' separating the two.

C.P Scott, Editor and owner of The Gaurdian wrote the following article on the struggle to ascertain the truth and to 'shun the temptations of monopoly. It is well know for the idea of 'comments are free but facts are sacred.'

“A hundred years is a long time; it is a long time even in the life of a newspaper, and to look back on it is to take in not only a vast development in the thing itself, but a great slice in the life of the nation, in the progress and adjustment of the world. In the general development the newspaper, as an institution, has played its part, and no small part, and the particular newspaper with which I personally am concerned has also played its part, it is to be hoped, not without some usefulness. I have had my share in it for a little more than 50 years; I have been its responsible editor for only a few months short of its last half-century; I remember vividly its 50th birthday; I now have the happiness to share in the celebration of its 100th. I can therefore speak of it with a certain intimacy of acquaintance. I have myself been part of it and entered into its inner courts. That is perhaps a reason why, on this occasion, I should write in my own name, as in some sort a spectator, rather than in the name of the paper as a member of its working staff.
In all living things there must be a certain unity, a principle of vitality and growth. It is so with a newspaper, and the more complete and clear this unity the more vigorous and fruitful the growth. I ask myself what the paper stood for when first I knew it, what it has stood for since and stands for now. A newspaper has two sides to it. It is a business, like any other, and has to pay in the material sense in order to live. But it is much more than a business; it is an institution; it reflects and it influences the life of a whole community; it may affect even wider destinies. It is, in its way, an instrument of government. It plays on the minds and consciences of men. It may educate, stimulate, assist, or it may do the opposite. It has, therefore, a moral as well as a material existence, and its character and influence are in the main determined by the balance of these two forces. It may make profit or power its first object, or it may conceive itself as fulfilling a higher and more exacting function.
I think I may honestly say that, from the day of its foundation, there has not been much doubt as to which way the balance tipped as far as regards the conduct of the paper whose fine tradition I inherited and which I have had the honour to serve through all my working life. Had it not been so, personally, I could not have served it. Character is a subtle affair, and has many shades and sides to it. It is not a thing to be much talked about, but rather to be felt. It is the slow deposit of past actions and ideals. It is for each man his most precious possession, and so it is for that latest growth of time, the newspaper. Fundamentally it implies honesty, cleanness, courage, fairness, a sense of duty to the reader and the community. A newspaper is of necessity something of a monopoly, and its first duty is to shun the temptations of monopoly. Its primary office is the gathering of news. At the peril of its soul it must see that the supply is not tainted. Neither in what it gives, nor in what it does not give, nor in the mode of presentation must the unclouded face of truth suffer wrong. Comment is free, but facts are sacred. "Propaganda", so called, by this means is hateful. The voice of opponents no less than that of friends has a right to be heard. Comment also is justly subject to a self-imposed restraint. It is well to be frank; it is even better to be fair. This is an ideal. Achievement in such matters is hardly given to man. We can but try, ask pardon for shortcomings, and there leave the matter.
But, granted a sufficiency of grace, to what further conquests may we look, what purpose serve, what task envisage? It is a large question, and cannot be fully answered. We are faced with a new and enormous power and a growing one. Whither is the young giant tending? What gifts does he bring? How will he exercise his privilege and powers? What influence will he exercise on the minds of men and on our public life? It cannot be pretended that an assured and entirely satisfactory answer can be given to such questions. Experience is in some respects disquieting. The development has not been all in the direction which we should most desire. One of the virtues, perhaps almost the chief virtue, of a newspaper is its independence. Whatever its position or character, at least it should have a soul of its own. But the tendency of newspapers, as of other businesses, in these days is towards amalgamation. In proportion, as the function of a newspaper has developed and its organisation expanded, so have its costs increased. The smaller newspapers have had a hard struggle; many of them have disappeared. In their place we have great organisations controlling a whole series of publications of various kinds and even of differing or opposing politics. The process may be inevitable, but clearly there are drawbacks. As organisation grows personality may tend to disappear. It is much to control one newspaper well; it is perhaps beyond the reach of any man, or any body of men, to control half a dozen with equal success. It is possible to exaggerate the danger, for the public is not undiscerning. It recognises the authentic voices of conscience and conviction when it finds them, and it has a shrewd intuition of what to accept and what to discount.
This is a matter which in the end must settle itself, and those who cherish the older ideal of a newspaper need not be dismayed. They have only to make their papers good enough in order to win, as well as to merit, success, and the resources of a newspaper are not wholly measured in pounds, shillings, and pence. Of course the thing can only be done by competence all round, and by that spirit of co-operation right through the working staff which only a common ideal can inspire.
There are people who think you can run a newspaper about as easily as you can poke a fire, and that knowledge, training, and aptitude are superfluous endowments. There have even been experiments on this assumption, and they have not met with success. There must be competence, to start with, on the business side, just as there must be in any large undertaking, but it is a mistake to suppose that the business side of a paper should dominate, as sometimes happens, not without distressing consequences. A newspaper, to be of value, should be a unity, and every part of it should equally understand and respond to the purposes and ideals which animate it. Between its two sides there should be a happy marriage, and editor and business manager should march hand in hand, the first, be it well understood, just an inch or two in advance. Of the staff, much the same thing may be said. They should be a friendly company. They need not, of course, agree on every point, but they should share in the general purpose and inheritance. A paper is built up upon their common and successive labours, and their work should never be task work, never merely dictated. They should be like a racing boat's crew, pulling well together, each man doing his best because he likes it, and with a common and glorious goal.
That is the path of self-respect and pleasure; it is also the path of success. And what a work it is! How multiform, how responsive to every need and every incident of life! What illimitable possibilities of achievement and of excellence! People talk of "journalese" as though a journalist were of necessity a pretentious and sloppy writer; he may be, on the contrary, and very often is, one of the best in the world. At least he should not be content to be much less. And then the developments. Every year, almost every day, may see growth and fresh accomplishments, and with a paper that is really alive, it not only may, but does. Let anyone take a file of this paper, or for that matter any one of half a dozen other papers, and compare its whole make-up and leading features today with what they were five years ago, 10 years ago, 20 years ago, and he will realise how large has been the growth, how considerable the achievement. And this is what makes the work of a newspaper worthy and interesting. It has so many sides, it touches life at so many points, at every one there is such possibility on improvement and excellence. To the man, whatever his place on the paper, whether on the editorial or business, or even what may be regarded as the mechanical side - this also vitally important in its place - nothing should satisfy short of the best, and the best must always seem a little ahead of the actual. It is here that ability counts and that character counts, and it is on these that a newspaper, like every great undertaking, if it is to be worthy of its power and duty, must rely
.”


Commercial media controlled by the news. 
As mentioned above media is regulated by several bodies, including both statutory and voluntary bodies.
  • Government agency - regulating content and internet censorship
  • State Press Subsidies
  • Licensed Journalism
These bodies ensure that the media acts in accordance to the strict legal prescription and obey formal state requirements.

The style of commercial media and the results
Information is often over-simplified or 'dumbed-down.' As sales revolve around the audiences generation, commercial media is often tempted into creating 'Mickey Mouse' news, that is; news to please, most often in the form of Tabloids. Sadly this is slowly destroying the quality of journalism and with it turning journalism into a form of corruption fuelled by business. 

As Professor Michael Bromley said "In this regard, one thing stands out above all others - the view that the very nature of the commercial equates to a corruption of the social. In other words, as media becomes more commercial, they do so at the expense of their social function. This is seen as a zero-sum game. Profits come before equality."

What are the challenges that commercial media face?
 Of course media companies traditionally specialized in one medium, be it newspapers, radio or television. However the technological development means that media companies in order to meet the demand and pressure of their audience are nowadays forced to specialise on multiple platforms including the digital platform. 

However it is no secret that the advertising revenue for broadcast media is down and continues to slide. The loss of revenue equates to less investment which equals less money for quality production and results in more brought-in content which is less original and repetitive sit-coms. Put simple less money means less quality. 


 The difficulties now faced by commercial media is of course the decline in advertising revenue. The solution? Commercial media needs to create programs of quality. Despite to obvious decline in advertising revenue, the audience want and will pay for quality. Greater Competition with compelling content and the pressure to 'lift the game' in order to be a competitor will further help sustain commercial media. And finally the move of existing customers to digital, although slow at the moment, the general public audience will ultimately be forced to make the switch. However there is argument as to the fact that in a capitalist economy and economical climate, commercial media will always exist and most likely thrive.



Procrastination..



With mid-sems quickly approaching I really should be doing work. However what I'm really doing is far from it... PROCRASTINATION. I'll be the first to admit it I'm a serial procrastinator.. but here are ten thing I bet you didn't know about procrastination.
  1. Twenty percent of people identify themselves as chronic procrastinators. For them procrastination is a lifestyle, albeit a maladaptive one. And it cuts across all domains of their life. They don't pay bills on time. They miss opportunities for buying tickets to concerts. They don't cash gift certificates or checks. They file income tax returns late. They leave their Christmas shopping until Christmas eve.
  2. It's not trivial, although as a culture we don't take it seriously as a problem. It represents a profound problem of self-regulation. And there may be more of it in the U.S. than in other countries because we are so nice; we don't call people on their excuses ("my grandmother died last week") even when we don't believe them.
  3. Procrastination is not a problem of time management or of planning. Procrastinators are not different in their ability to estimate time, although they are more optimistic than others. "Telling someone who procrastinates to buy a weekly planner is like telling someone with chronic depression to just cheer up," insists Dr. Ferrari.
  4. Procrastinators are made not born. Procrastination is learned in the family milieu, but not directly. It is one response to an authoritarian parenting style. Having a harsh, controlling father keeps children from developing the ability to regulate themselves, from internalizing their own intentions and then learning to act on them. Procrastination can even be a form of rebellion, one of the few forms available under such circumstances. What's more, under those household conditions, procrastinators turn more to friends than to parents for support, and their friends may reinforce procrastination because they tend to be tolerant of their excuses.
  5. Procrastination predicts higher levels of consumption of alcohol among those people who drink. Procrastinators drink more than they intend to—a manifestation of generalized problems in self-regulation. That is over and above the effect of avoidant coping styles that underlie procrastination and lead to disengagement via substance abuse.
  6. Procrastinators tell lies to themselves. Such as, "I'll feel more like doing this tomorrow." Or "I work best under pressure." But in fact they do not get the urge the next day or work best under pressure. In addition, they protect their sense of self by saying "this isn't important." Another big lie procrastinators indulge is that time pressure makes them more creative. Unfortunately they do not turn out to be more creative; they only feel that way. They squander their resources.
  7. Procrastinators actively look for distractions, particularly ones that don't take a lot of commitment on their part. Checking e-mail is almost perfect for this purpose. They distract themselves as a way of regulating their emotions such as fear of failure.
  8. There's more than one flavor of procrastination. People procrastinate for different reasons. Dr. Ferrari identifies three basic types of procrastinators:
    - arousal types, or thrill-seekers, who wait to the last minute for the euphoric rush.
    - avoiders, who may be avoiding fear of failure or even fear of success, but in either case are very concerned with what others think of them; they would rather have others think they lack effort than ability.
    - decisional procrastinators, who cannot make a decision. Not making a decision absolves procrastinators of responsibility for the outcome of events.
  9. There are big costs to procrastination. Health is one. Just over the course of a single         academic term, procrastinating college students had such evidence of compromised immune systems as more colds and flu, more gastrointestinal problems. And they had insomnia. In addition, procrastination has a high cost to others as well as oneself; it shifts the burden of responsibilities onto others, who become resentful. Procrastination destroys teamwork in the workplace and private relationships.
  10. Procrastinators can change their behaviour—but doing so consumes a lot of psychic energy. And it doesn't necessarily mean one feels transformed internally. It can be done with highly structured cognitive behavioral therapy.

Exiting the comfort zone.


Tuesday 21 August 2012

JOUR1111 Lecture 5 - Picture stories.

Picture stories are everywhere. On the TV (News, Drama/Reality programs or documentaries), movies, games, books, advertising, graffiti and even on the notes of money. Picture stories are what have helped shape the history of journalism and indeed the world. They allow us to create an imagine in our mind and better picture a certain event or experience. They are, in essence, what nudges at our imagination, allowing us a better and more vivid insight into other's lives.



In order to fully appreciate the reality of picture stories today it is important to understand the historical values of such stories. From Aboriginal cave art to Plato's theory of "Shadows on the Cave Wall", to China's Diamond Sultra then Illuminated Letters by the Monks and many churches stained glass windows to the eventual first line drawings apparent in an 1860's Newspaper shortly followed by actual printed photography firstly in the Daily Graphic and the eventual colour photo to the first picture published on the interned in 1992 and the first video in  2005, picture stories really have come a long way.

Aboriginal Cave Art

Diamond Sultra

First Line Drawing to be published in Newspaper

First Photo on the Internet





Photography is an art. A fine art. No matter how simply it may appear, many factors contribute to a good photograph. Anyone can take photos and they are so easily conveyed yet only great photography and professionals understand the compositional order of a photograph and the need for image structure. So this brings us to the question of what makes a great photograph?

Framing: The framing of a picture is important to properly emphasise the subject of the photograph. It should be obvious and make the object or subject of the photograph easy to distinguish and focus on.




Focus: Focus is important for clarity. A blurry photograph is not interesting nor a good portrayal of a story. And as we know, every photo should tell a story.




Angle and Point of View: The angle and point of view in which a photo is taken can imply meaning into a photograph. Often children are photographed with the camera angles down at them to emphasis the smallness and therefore vulnerability of them. People in positions of power can be photographed from below to give the impression of superiority and power.




Exposure: Expose is perhaps the most important factor in taking a good photograph. Without the correct lighting and expose a picture will not work. No matter how sensational the subject is, without the correct exposure the picture will not attract viewers.



Timing/Shutter Speed: The timing and shutter speed of a camera is important in that it allows how much exposure is let into the photograph.




Capturing 'The Moment': Timing is everything. A photo taken and instant too early or an instant too late, even with the perfect focus, shutter speed, exposure etc, can be very disappointing.








Rule of ThirdsAccording to Prophotography  "The rule of thirds is one of the main “rules” in art and photographic composition and stems from the theory that the human eye naturally gravitates to intersection points that occur when an image is split into thirds. When taking a photograph with the rule of thirds in mind, it’s always best to compose the photograph in the camera. This is so that you can avoid cropping later to retain as much of the image as possible and avoid reducing the quality of your photographs. However, I encourage going back to some of your older photography and seeing if you can improve them by cropping in a way to make them use the rule of thirds technique."





Of course traditional picture stories are now warped by digital manipulation, that is: changing the original appearance of a photo in order for it too appear more beautiful or even harrowing to the viewers. We are now being manipulated into believing certain images are reality when really it is a simple yet clever trick of digitalisation. Photoshop is professional image altering software that edits photos in such a manor that it can't help but to create fantasy.


This clip shows us the way in which the manipulation of women's bodies are portrayed through the use of Photoshop and highlight the detriments that Photoshop causes to many women's self esteem.


If you liked the look of that and want to watch more, click here.

Photo shop warps the way in which we view images of other people and therefore the way in which we think we should look and they way in which we therefore view ourselves. These photos have all be digitally edited and enhanced, effectively altering the subjects into more beautiful and striking objects.




Are we now living in such a superficial world that we cannot even bare to use real images of real people? And what is so wrong with reality?

Photoshop is furthermore  playing an increasing role in advertising, check these two pictures out.






Digital manipulation is now apparent in our everyday lives. But what does this mean? Are images now becoming so warped that we are loosing sight of reality? And what falsification of the portrayal of body images really doing to the average person?



Photography is without a doubt a skill, some have natural talent while other work hard using all the right techniques in order to best 'capture the moment'. Photographs are non-linear, they are unrestrained. They tell the truth (when not manipulated!) in an objective and timeless manor. Photography has the ability to imply and impress upon its viewers certain meanings and emotions. And that I believe is the very definition of a picture story. 

Student Politics... A glimpse into the future?



I'm really not sure what to make of this? Should student politics really be allowed get this out of hand? Who should take the blame? And how was this even allowed to happen in the first place?

This topic that has no doubt been through the rumour mill and few time and the basic facts are starting to get a little blurry and clouded from both sides. It's evident that the Fresh party has made some more than questionable moves on their part and the Labor Party has of course retaliated. For myself, I am disgusted that A. Such an event occurred and B. So many could not care less. 

I am a firm believer that as the 'leaders of tomorrow' should we not be aware of our surroundings and if not, seek information to make informed decisions. It is our university and our 'turf' so to speak, should we not care about the situation that directly involves us? Or are we such a generation that many are blind and would prefer to be led or worse, not give a care at all? If so than I shudder to think of what the future will hold. 



Flash Mob - Do Re Mi!


JOUR1111 Lecture 4 - The Perfect Radio Host.

Before the invention of the television, radio was the predominate communicator of sound media. Radio can be described as the is the transmission of signals through free space by electromagnetic waves with frequencies significantly below visible light.

Radio however is a very different medium to television for a number of reasons. According to Richard Fidler, a well know ABC radio personality, the main differences that separate radio from TV is that radio is more intimate and allows listeners to feel included. Unlike TV which is a high impact medium, radio allows its listeners to multi-task and do things such as drive a car, bake or go for a run, all while listening.

This sound lecture highlighted the importance of the role of a radio interviewer. Fidler describes the perfect interviewer as kind yet probing and one that is genuinely interested in the interviewee. Preparation is a must and the story should be a good one with the key being to provide a safe environment for the interviewee so that they may reveal information without feeling too pressured. However he admits that sometimes defence is necessary especially with experienced subjects who often deal with the media and as a result need to be approached differently. The key theme that runs through his arguments however is that the radio subjects, experienced or not need to place enough trust in the program to speak their mind and reveal their experiences.

His advice to people wanting to maybe follow in his footsteps?
  • Worldliness
  • Read!
  • Keep asking questions
  • Be open-minded
  • Don't live in an ideological ghetto
  • Expose yourself to thoughts and ideas of people you don't agree with
  • Be open to different currents of thought
  • Expand your world
  • Do what you like.




The second radio personality interviewed was ABC's Steve Austin who like best successful people worked his way up through the ranks through "grovelling and kissing butt."

Steve Austin in his interview discussed the importance of annunciation and the tone of voice in order to break down the barriers between the radio host and the listeners. "Radio is the theatre of the mind" and in order to perform the best one must engage with both the interviewee and the listeners on a level that allows for this.

He highlights how the best radio is not about being right or wrong but rather about reflecting and being interested in the person being interviewed's story and experiences yet still making it easy on the listener. Human beings, Austin says, are emotional beings, driven by life experiences which are very broad, we are rational yet more so emotional. The trick to balancing both the interviewee and the listeners is to be human, that is; to search for the full gamut of human experience and to genuinely be interested yet not to the point of being dry and to show respect through the art of listening. For him, this becomes evident when the interviewee becomes lost in the moment, almost forgotten they were on radio, and spills more of their experience than originally intended. According to Austin that is the magic moment in radio.

So what is it that really makes a person a good radio host? From what I gathered from the two presenters and their different contributions is that radio is really about engaging with the listeners at home with a real story that they can relate to. It's about letting an interviewee talk and share their experiences so that maybe, just maybe a magic moment may occur!

Public Radio is thriving, especially with the advances in new technology such as Podcasts and Twitter, being able to reach a large audience across the globe. More so radio has always been time-poor meaning that people who are busy and on the move may still listen to radio as it allows for multi-tasking. Either way radio has certainly maintained its popularity over the years and even more so now with the increasing accessibility of Podcasts on the move.